Introduction and abstracts
I “The Darkness of Future Past”: On the Work of David Lynch — Samuel Weber
II Actions Have Consequences Logics of the Mind-Game Film in David Lynch’s Los Angeles-Trilogy — Thomas Elsaesser
III Cinematic and Diegetic Real in David Lynch’s Inland Empire — Michel Chion
IV Underground goes Hollywood: Oscillography of a shizogaze — Thomas Becker
V The Story of Time and Space – Concepts of Reality in the Work of John Cage and David Lynch — Alexandra von Stosch
VI Erratic humor in David Lynch’s later filmwork — Wolfram Bergande
VII The uncanny Other. David Lynch as social Philosopher — Andreas Cremonini
VIII Lynch’s Animals — Christian Kassung
IX Riddle and Mystery in the Art of David Lynch — Arito Rüdiger Sakai
X The Certain/Uncertainty of David Lynch: A Paradigm Shift — Martha Nochimson
THE CONFERENCE
BERLIN, 28 — 30 JUNE 2012
ALEXANDRA VON STOSCH, VALESKA SCHMIDT-THOMSEN
ROTER SALON, VOLKSBÜHNE
PHOTOS: © BERNWARD REUL