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DAVID LYNCH– THE ART OF THE REAL –

Introduction and abstracts

I “The Darkness of Future Past”: On the Work of David Lynch — Samuel Weber II Actions Have Consequences Logics of the Mind-Game Film in David Lynch’s Los Angeles-Trilogy — Thomas Elsaesser III Cinematic and Diegetic Real in David Lynch’s Inland Empire — Michel Chion IV Underground goes Hollywood: Oscillography of a shizogaze — Thomas Becker V The Story of Time and Space – Concepts of Reality in the Work of John Cage and David Lynch — Alexandra von Stosch VI Erratic humor in David Lynch’s later filmwork — Wolfram Bergande VII The uncanny Other. David Lynch as social Philosopher — Andreas Cremonini VIII Lynch’s Animals — Christian Kassung IX Riddle and Mystery in the Art of David Lynch — Arito Rüdiger Sakai X The Certain/Uncertainty of David Lynch: A Paradigm Shift — Martha Nochimson

Contributors
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The Conference
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Imprint

THE CONFERENCE

BERLIN, 28 — 30 JUNE 2012

ALEXANDRA VON STOSCH, VALESKA SCHMIDT-THOMSEN
ROTER SALON, VOLKSBÜHNE

PHOTOS: © BERNWARD REUL

CONTRIBUTORS

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